Fiasco Porto

Fiasco Porto Record Bar

"I can't stick musicians. I've thought about this. I can't stand them, and being stuck in a studio with them I think tha...
03/09/2026

"I can't stick musicians. I've thought about this. I can't stand them, and being stuck in a studio with them I think that's my strength: I can hear what they can't."

Mark E. Smith (Interview with The Wire)

"Eu não tenho culpa nenhuma de ser português, mas sinto a força para não ter, como vós outros, a cobardia de deixar apod...
02/09/2026

"Eu não tenho culpa nenhuma de ser português, mas sinto a força para não ter, como vós outros, a cobardia de deixar apodrecer a pátria."

Almada Negreiros (Ultimatum Futurista às Gerações Portuguesas do Século XX)


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tenreiroripolles






























"We went to this stupid heavy metal disco after the first gig – which was awful – and the group all started dancing to D...
02/09/2026

"We went to this stupid heavy metal disco after the first gig – which was awful – and the group all started dancing to Deep Purple. I told them to sit down, have some dignity."

Mark E. Smith (Renegade: The Lives and Tales of Mark E. Smith)

"Skyjack — the borderless five piece band spread across South Africa and Switzerland — announce their fourth studio albu...
21/08/2026

"Skyjack — the borderless five piece band spread across South Africa and Switzerland — announce their fourth studio album, Let The Sky Open Under Your Feet.

Recorded in December 2025 at a secluded studio outside Stellenbosch, South Africa, the album captures the vibrant live energy of the band at its most expansive — drawing together free improvisation, South African jazz traditions, chamber music, kinetic groove, and ecstatic collective interplay into a singular body of work.

"This record is a very articulate representation of our sound, having grown deep roots into the earth with high branches reaching upward and outward", says bassist Shane Cooper. "My desire is always to create sonic universes that can envelope the listener."

The album's title comes from a line in a poem by the 13th-century Persian poet Rumi, reflecting the music's balance between groundedness and transcendence. Here, Skyjack move fluidly between meditative improvisation and lush orchestration across twelve tracks of free-spirited, cosmic journeying. Inspired both by the cultural traditions and natural environments of South Africa, Let The Sky Open Under Your Feet is a testament to the band's intuitive connection and innate musical curiosity.

It arrives just over a year after Light Cycle (2024), a short gap that reflects the momentum built on tour. After exchanging sketches remotely across two continents, the band reunited in Johannesburg in late 2025, workshopped the new material onstage across South Africa, and then headed directly into the studio, where much of the album was recorded live in first takes — preserving the looseness and unpredictability central to Skyjack's sound."

(...)








martin


"Skyjack — the borderless five piece band spread across South Africa and Switzerland — announce their fourth studio albu...
21/08/2026

"Skyjack — the borderless five piece band spread across South Africa and Switzerland — announce their fourth studio album, Let The Sky Open Under Your Feet.

Recorded in December 2025 at a secluded studio outside Stellenbosch, South Africa, the album captures the vibrant live energy of the band at its most expansive — drawing together free improvisation, South African jazz traditions, chamber music, kinetic groove, and ecstatic collective interplay into a singular body of work.

"This record is a very articulate representation of our sound, having grown deep roots into the earth with high branches reaching upward and outward", says bassist Shane Cooper. "My desire is always to create sonic universes that can envelope the listener."

The album's title comes from a line in a poem by the 13th-century Persian poet Rumi, reflecting the music's balance between groundedness and transcendence. Here, Skyjack move fluidly between meditative improvisation and lush orchestration across twelve tracks of free-spirited, cosmic journeying. Inspired both by the cultural traditions and natural environments of South Africa, Let The Sky Open Under Your Feet is a testament to the band's intuitive connection and innate musical curiosity.

It arrives just over a year after Light Cycle (2024), a short gap that reflects the momentum built on tour. After exchanging sketches remotely across two continents, the band reunited in Johannesburg in late 2025, workshopped the new material onstage across South Africa, and then headed directly into the studio, where much of the album was recorded live in first takes — preserving the looseness and unpredictability central to Skyjack's sound."

(...)








martin


"Não vogando já na doce ilusão de uma sociedade sem classes, concordei em aceitar viver numa sociedade sem classe."João ...
21/08/2026

"Não vogando já na doce ilusão de uma sociedade sem classes, concordei em aceitar viver numa sociedade sem classe."

João César Monteiro (Uma Semana Noutra Cidade)

MAQUINA. embody all the sweaty togetherness and euphoria a collective music experience has to offer. The buzzy Lisbon tr...
07/08/2026

MAQUINA. embody all the sweaty togetherness and euphoria a collective music experience has to offer. The buzzy Lisbon trio have been getting punks to dance and club kids to pogo – "making the bubbles connect a little bit" – with such fervour they routinely pack out venues and inspire multiple waves of crowdsurfing at any given live show, with over 250 gigs and numerous festival appearances across Europe already under their belt. Still on a high after their first tour of Brazil and KEXP performance as part of Trans Musicales 2025, the three-piece ring in a new chapter with their second LP BODY TRANSMISSION: a headbanging trip through high-energy noise-rock, motorik metal, and industrial punk that doesn't stop moving.

Bottling the raw power of their now-legendary live shows, BODY TRANSMISSION – co-produced by the band alongside Hugo Valverde – arrives following MAQUINA.'s 2024 debut PRATA, also released on Fuzz Club and largely driven by improvisation, locking itself into the flow state of a live performance. For their new full-length, the band – Halison Peres (drums/vocals), José "Mendy" Rego (bass), and João Cavalheiro (guitar/effects) – opted for less jamming and more "editing", taking time to mull over the direction of each track while also looking to condense 10-minute meanders into three or four-minute "bangers" that slap.

The result is a full-body rush geared towards the dancefloor with "no breaks"; a club-ready rock record steered by the trio's guitar, drums, and bass combo. "It was the most challenging and fun we've ever had in the studio because we pushed ourselves to write songs rather than just capturing jams," say the band. "We wanted it to feel heavy, focused, and relentless. We kept the tempo up and the energy peaking – it's an 'always-on' record."


music
mendy
mastering
laplaza

(...)

"A child free from the guilt of ownership and the burden of economic competition will grow up with the will to do what n...
07/08/2026

"A child free from the guilt of ownership and the burden of economic competition will grow up with the will to do what needs doing and the capacity for joy in doing it. It is useless work that darkens the heart."

Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)

"Always lurking amidst the underground Porto music scene is Spitbender, the most stable moniker of the ever-morphing Fra...
05/08/2026

"Always lurking amidst the underground Porto music scene is Spitbender, the most stable moniker of the ever-morphing Francisco Antão. Spin gathers a collection of tracks that demonstrate his experimentalism & coy sonic precision. Spitbender takes cues from Jungle & Hip Hop producers to create his own unique blend of Downtempo. What becomes clear throughout the album is the attention to detail: it is infused as much by Industrial’s red-line spectra as it is by the dubplate logic of the Darkside Continuum, yet it does so at its own tripped out speed.

Spin begins with the laid-back but constantly shifting ‘Global Overgroove’. Its breakbeat science moves in & out of DSP glitch-work & dub reflections. When its slinky bassline melody arrives, a certain dread sets in.

‘Weyward Fold’ drops into a driving, hard-edged chug, threaded with snippets of Malcolm X’s disobedient pedagogy. The momentum carries into ‘Headnod Doctor’, where the bass distortion thickens & the cymbal circuit is overloaded, landing somewhere between Hip‑Hop grit & metal weight.

Side A ends with the downtempo roller ‘Dogs and Moles (Skylurk Mix)’. The familiar break drifts into new territory, pulled along & wrapped in a slap-back echo. A quirky melody cuts through the haze, giving the track a fresh tilt. The mulch of the track forms a steady, unhurried pulse.

Spitbender’s spacious atmospherics & groove-focused approach comes further into focus on ‘Nothing Here But the Recordings’. Creating his own chapter in the book of Trip Hop, his minimalist touch is laid out in full.

‘Force the Hand Ov Chance’ pulls Boom Bap gently into dub mechanics, letting space do the heavy lifting. Its simplicity hides a deep pocket."

(...)
hq


"I've never had a problem with drugs—I've had problems with police."Keith Richards
05/08/2026

"I've never had a problem with drugs—I've had problems with police."

Keith Richards

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