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What is wine for?For Robert Parker, pleasure. For Jancis Robinson, balance, purity, precision. For Hugh Johnson, story. ...
14/05/2026

What is wine for?
For Robert Parker, pleasure. For Jancis Robinson, balance, purity, precision. For Hugh Johnson, story. For Antonio Galloni, development. For Dan Keeling, sharing the moment.
Eight critics. Eight palates. Eight answers to the same question.
That divergence is not a failure of criticism. It is the most useful thing about it. Knowing what question a critic asks is the first step to knowing what question you want answered.
Amelia Singer on critics as shortcuts not verdicts, Tim Hayward on what criticism owes the reader, and Rory Sutherland on why understanding a wine and experiencing it cannot be separated.
Reviewed by Jancis Robinson MW and William Kelley.
One question underneath all of it:
How do you build your taste without outsourcing your judgment?
Full piece at ourglass.wine. Link in bio.

Cordón trenzado. Vines woven into long strands along the ground, lifted and laid by hand.Phylloxera rewrote wine between...
05/05/2026

Cordón trenzado. Vines woven into long strands along the ground, lifted and laid by hand.

Phylloxera rewrote wine between 1860 and 1890 but it didn’t reach the Valle de la Orotava.

The vines above Orotava are between 90 and 250 years old. Ungrafted.

The system did not evolve to make better wine. It evolved because the land was shared with potatoes. The vines could be lifted. The crops could grow underneath.

The potatoes are gone. The braid is still here.

Jonatan García Lima is the winemaker at Suertes del Marqués. He is planting new vineyards in cordón trenzado and converting trellised vines back to it. Not because it is easier. Because he believes it is right.

This piece is not about volcanic wine. It’s about what remains when you strip the usual stuff back.

Read Ungrafted at the link in bio.

In collaboration with



Esto es cordón trenzado. Vides trenzadas en largos cordones sobre el suelo, levantadas y colocadas a mano.

La filoxera reescribió el vino entre 1860 y 1890.

No llegó al Valle de La Orotava.

Las vides en La Orotava tienen entre 90 y 250 años. Sin injertar.

El sistema no evolucionó para hacer mejor vino. Evolucionó porque la tierra se compartía con las patatas. Las vides podían levantarse. Los cultivos podían crecer debajo.

Las patatas ya no están. La trenza permanece.

Jonatan García Lima es el enólogo de Suertes del Marqués. Está plantando nuevas viñas en cordón trenzado y reconvirtiendo viñas en espaldera a este sistema. No porque sea más fácil. Porque cree que es lo correcto.

Este no es un artículo sobre vino volcánico.

Es sobre lo que permanece cuando todo lo que normalmente da forma al vino ha sido eliminado.

Lee Ungrafted en el enlace en la bio.

En colaboración con

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