13/06/2026
From Prof Will Reed OSS Ambassador 10th Dan Shodo Yamanashi Kofu Japan
This beautiful piece of calligraphy showcases the same philosophical phrase written in three different script styles, moving from right to left, followed by the calligrapher's signature.
The text originates from ancient Chinese philosophy and history, heavily associated with traditional virtues of leadership and self-cultivation.
1. Transcription (Right to Left)
Column 1 (Right): Regular / Semi-regular Script (楷/行書)
庶幾中庸 勞謙謹勅
Column 2 (Middle): Running Script (行書)
庶幾中庸 勞謙謹勅
Column 3 (Left): Cursive Script (草書)
庶幾中庸 勞謙謹勅
Signature (Far Left):
恒来書 (Written by Henglai / Tsuneji)
2. Character-by-Character Translation
庶幾 (Shù jī): An ancient expression meaning "hopeful," "aspiring to," or "close to achieving."
中庸 (Zhōng yōng): The "Doctrine of the Mean" or "The Golden Mean"—the central Confucian philosophy of balance, moderation, and avoiding extremes.
勞 (Láo): Hardworking, diligent, or meritorious.
謙 (Qiān): Humble or modest.
謹 (Jǐn): Cautious, prudent, and respectful.
勅 (Chì): Self-restrained, disciplined, or strictly adhering to duty (historically also used for imperial decrees).
3. Overall Interpretation
Literal Translation
"Aspire to the Doctrine of the Mean; be diligent, humble, prudent, and self-disciplined."
Philosophical Meaning
This phrase serves as a personal motto for moral excellence and effective leadership. It urges the practitioner to strike a perfect balance in all aspects of life (中庸), avoiding radical emotional swings or extreme actions.
Furthermore, it emphasizes the ultimate combo of Confucian virtues: working tirelessly for the greater good (勞) without letting it get to your head (謙), while remaining incredibly careful and disciplined (謹勅) in every decision you make.
4. Calligraphy Style Note
This sheet is an excellent demonstration of evolutionary practice (often called Santi or Three-Style calligraphy):
The first column presents the characters clearly, establishing their structural framework.
The second column introduces fluid connections, speeding up the brush movement.
The third column abstracts the characters into highly expressive, flowing cursive, where separate strokes merge into singular, sweeping movements of ink.
