06/04/2026
"The bassist has a way of giving riff tunes an extra bounce, an animation that might usually come from a drummer. Whether it’s a Geri Allen nugget or one of her own pieces, such as ‘Room 157,’ the buoyancy she brings to the table helps fashion her still-evolving artistic persona. With the acoustic quartet record Feed The Fire (Endectomorph) arriving in early June, Marks is helping deliver updates to the mainstream jazz lingo. Live renditions of her own ‘Aggro’ and Dewey Redman’s ‘Mushi Mushi’ suggest that feistiness is zero problem, and with Jason Moran in the producer’s seat, her sophomore disc is surely one to anticipate." - Jim Macnie, Lament For A Straight Line - Must See Three
"Hannah Marks is stepping into a bigger, bolder version of herself, and doing it with the kind of conviction that makes you lean in. With her sophomore album Feed The Fire, the New York City-based bassist and composer delivers a statement of intent: fearless, exploratory, and alive with the restless energy of a musician who isn’t interested in staying inside the lines." - Jonathan Blackman, Occhi Magazine
Hannah Marks makes a monumental creative step with her sophomore album, Feed The Fire, featuring her fierce, risk-taking acoustic jazz quartet of Nathan Reising (alto saxophone), Lex Korten (piano) & Steven Crammer (drums), delightfully blending modern, straight-ahead, and avant-garde. The album, produced by Jason Moran, celebrates her burning passion for jazz in its various forms, her staking a claim as a NYC bassist and composer, relishing the musical journey she is on, and sharing with her bandmates and her audience the freedom to explore, play and experiment! https://conta.cc/4voNSKX
Email from Red Cat Publicity Produced by Jason Moran & Featuring Hannah Marks (bass, compositions), Nathan Reising (alto saxophone), Lex Korten (piano) & Steven Crammer (drums) CELEBRATING TWENTY ONE